Tuesday 28 March 2017

Top 10 E.B.white Quotes



E. B. White
(Writer)

Elwyn Brooks "E. B." White  was an American writer. He was a contributor to The New Yorker magazine and a co-author of the English language style guide The Elements of Style, which is commonly known as "Strunk & White". He also wrote books for children, including Stuart Little (1945), Charlotte's Web (1952), and The Trumpet of the Swan (1970). Charlotte's Web was voted the top children's novel in a 2012 survey of School Library Journal readers, an accomplishment repeated from earlier surveys






Top 10 E.B.white Quotes



The terror of the atom age is not the violence of the new power but the speed of man's adjustment to it -- the speed of his acceptance.

I see nothing in space as promising as the view from a Ferris wheel.

People are, if anything, more touchy about being thought silly than they are about being thought unjust.

Commas in The New Yorker fall with the precision of knives in a circus act, outlining the victim.

Genius is more often found in a cracked pot than in a whole one. 
The only sense that is common in the long run, is the sense of change-and we all instinctively avoid it.

All we need is a meteorologist who has once been soaked to the skin without ill effect. No one can write knowingly of the weather who walks bent over on wet days.

The world organization debates disarmament in one room and, in the next room, moves the knights and pawns that make national arms imperative.

I arise in the morning torn between a desire to improve the world and a desire to enjoy the world. This makes it hard to plan the day.

Democracy is the recurrent suspicion that more than half of the people are right more than half the time. 









White was born in Mount Vernon, New York, the youngest child of Samuel Tilly White, the president of a piano firm, and Jessie Hart White, the daughter of Scottish-American painter William Hart. Elwyn's older brother Stanley Hart White, known as Stan, a professor of Landscape Architecture and inventor of the Vertical Garden, was influential as a child teaching E. B. White to read and explore the natural world. He served in the army before going to college. White graduated from Cornell University with a Bachelor of Arts degree in 1921. He picked up the nickname "Andy" at Cornell University, where tradition confers that moniker on any male student surnamed White, after Cornell co-founder Andrew Dickson White. While at Cornell, he worked as editor of The Cornell Daily Sun with classmate Allison Danzig, who later became a sportswriter for The New York Times. White was also a member of the Aleph Samach and Quill and Dagger societies and Phi Gamma Delta (FIJI).
White worked for the United Press (currently the United Press International) and the American Legion News Service in 1921 and 1922. Then he became a cub reporter for The Seattle Times in 1922 and 1923. Once, when White was stuck on writing a story, a Times editor said, "Just say the words." He then worked for two years with the Frank Seaman advertising agency as a production assistant and copywriter before returning to New York City in 1924. Not long after The New Yorker was founded in 1925, White submitted manuscripts to it. Katharine Angell, the literary editor, recommended to magazine editor and founder Harold Ross that White be taken on as staff. However, it took months to convince him to come to a meeting at the office and further weeks to convince him to agree to work on the premises. Eventually, he agreed to work in the office on Thursdays.
A few years later in 1929, White and Angell were married. They had a son, Joel White, a naval architect and boat builder, who owned Brooklin Boat Yard in Brooklin, Maine. Katharine's son from her first marriage, Roger Angell, has spent decades as a fiction editor for The New Yorker and is well known as the magazine's baseball writer.
James Thurber described White as being a quiet man, disliking publicity, who during his time at The New Yorker would slip out of his office via the fire escape to a nearby branch of Schrafft's to avoid visitors whom he didn't know.

He published his first article in The New Yorker magazine in 1925, then joined the staff in 1927 and continued to contribute for around six decades. Best recognized for his essays and unsigned "Notes and Comment" pieces, he gradually became the most important contributor to The New Yorker at a time when it was arguably the most important American literary magazine. From the beginning to the end of his career at The New Yorker, he frequently provided what the magazine calls "Newsbreaks" (short, witty comments on oddly worded printed items from many sources) under various categories such as "Block That Metaphor". He also served as a columnist for Harper's Magazine from 1938 to 1943.
In 1949, White published Here Is New York, a short book based upon a Holiday magazine article that he had been asked to write. The article reflects the writer's appreciation of a city that provides its residents with both "the gift of loneliness and the gift of privacy", and concludes with a dark note touching upon the forces that may destroy the city that the writer loves. This prescient "love letter" to the city was re-published in 1999 on the one hundredth anniversary of his birth, with an introduction by his stepson, Roger Angell.
In 1959, White edited and updated The Elements of Style. This handbook of grammatical and stylistic guidance for writers of American English had been written and published in 1918 by William Strunk, Jr., one of White's professors at Cornell. White's rework of the book was extremely well received, and further editions of the work followed in 1972, 1979, and 1999. Maira Kalman illustrated an edition in 2005. That same year, a New York composer named Nico Muhly premiered a short opera based on the book. The volume is a standard tool for students and writers and remains required reading in many composition classes. The complete history of The Elements of Style is detailed in Mark Garvey's Stylized: A Slightly Obsessive History of Strunk & White's The Elements of Style.
In 1978, White won a special Pulitzer Prize citing "his letters, essays and the full body of his work". Other awards he received included a Presidential Medal of Freedom in 1963 and memberships in a variety of literary societies throughout the United States.
The 1973 Oscar-nominated Canadian animated short, The Family That Dwelt Apart, is narrated by White and based on his short story of the same name.

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